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In #bullyingstory we immerse into Rosalie's (13) desktop. She has been bulliedonline offline the last couple of years. Because of the cyber bullying she even didn’tfeel safe in her own bedroom. The bullying has had serious consequences: she findsit hard to trust her peers and that's why it’s also difficult to make friends for her.Together with Rosalie we find hundreds of bullying stories of other young people onYouTube, where they tell their stories and how the bullying affected them. Rosalierecognizes herself in the stories and she decides to leave a reaction under the videoof Sterre (12). It is a bit of a shock when she receives a response. Through thecomputer screen of Rosalie we meet Sterre, and others who have been bullied whenthey Skype with each other. Rosalie opens up when she notices that she is not theonly one who struggles with the same problems. Could the internet change from her'worst enemy' into a 'buddy'?
The film is inspired by real stories from Russia. Oleg and Vadim are the best-known rooftoppers on the Internet. With cameras on their heads, and without safety equipment they illegally climb high-rise buildings. Joined by the famous and beautiful Angela, they hack entry to the atomic power plant. They take risks shooting the most beautiful pictures, for attaining the highest number of ‘likes’, but at the same time they seek her heart.
The audition of a young actress quickly gets out of control and turns into an intimate and manipulative interrogation. As she struggles to assert herself, a pressing question remains: how far will she go to get the role? A disturbing drama about the abuse of power in the film industry.
Vienna during Christmas time. Ion has read a curious article about Hitler, wo might be found in Argentina, while his older half-brother Andrei seems to have other problems on his mind. Following the two Romanian half-brothers and their preparations for leaving the city, money is only one side of the coin.
“15:33“ is a short film combining elements of surrealism and horror but at the same time handling its topic “coping of bereavement“ in a serious manner. The protagonist is a middle-aged man who seems to have got stuck in time after the death of his young son. He feels isolated from the rest of the world and finds himself in an emptiness he only shares with horrifying shadows of the past. Trying to escape the situation and to cope with his grief, the protagonist sets out for a way into his own memories.
In his new animated film "1989 - Lieder unserer Heimat - Vorwärts immer" Schwarwel tells from a personal perspective what makes an injustice system with and out of the people who grow up and live in it.Embedded in music videos - from a colourful potpourri of different musical genres and songs composed by Schwarwel himself - this cross-genre episodic animation film, which unites the different styles in itself, semi- and autobiographically as well as documentarily in the context of a flowing overall plot in short stories and stories historical themes and true events, is embedded in music videos - semi- and autobiographical, always very close and lasting, the contents are presented funny, cheerful, entertaining and bitter, dramatic, profound at the same time. And what is this film about: childhood, youth and upbringing, the cutting of the cord from the parental home, youth movement and music, state control, surveillance and prison, the restriction and curtailment of rights, life in an injustice state and a dictatorship, war, rolling tanks and shooting orders, demonstrations, opposition and revolution, sport and doping and last but not least freedom of opinion, of the press and of religion as well as one's own freedom and so much more.Schwarwel grew up in the GDR and experienced it as a systemically "unadapted youth". Since he could hold a pen, he drew pictures and later comics, had his own band, was a musician and punk. As a teenager he took part in the first Monday demonstrations (later no more) and spent the early 90s in Berlin ... Schwarwel combines his experiences and experiences in "1989 - Lieder unserer Heimat - Vorwärts immer" and his stories are symbolic: Everyone can identify with it, becomes part of the plot, independent of the age and state system in which he/she grew up.The approach of this film is to understand history as a contemporary document in order to establish one's own relation to one's own life in the here and now in the sense of: "What can we, what can I learn from history myself? What does all this have to do with me and my own life? wars still take place today and for centuries. Otherness, non-conformity and life that does not conform to society are still not welcome. State control, surveillance, dictatorships, injustice systems, injustice and injustice continue to exist today and in the past. People take to the streets and demonstrate for freedom and a more just life ... "1989 - Songs of our homeland - Forward always" is a personal and at the same time historical retrospective, a reappraisal of events and happenings that manifest themselves in flashbacks, dreams, memories and adventures of the author. The viewer perceives the touching events from the perspective of the protagonist. He experiences and feels everything very closely, can feel in, becomes a part of it and at the same time can draw conclusions about his own life.This very personal and authentic approach, which maintains the claim to objectivity with its subjective perspective, so that the recipient can identify with the narrative, is an important means to convey the content in an optimal and understandable way and to make it more perceptible and emotional for the target group - through more realism of content instead of an abstract mediation of history. The viewer gets a tool at hand to process already known knowledge and to understand it better by empathizing with the story. The aim is to make history a tangible experience, so that the viewer can judge for himself where he locates himself. The Studio Glücklicher Montag completed "1989 - Songs of our Homeland - Forward Always" in time for 30 Years of Peaceful Revolution 2019.
When London-based Sonia learns that a bomb has exploded in the Brussels Metro, she frantically searches for her daughter, Tara, who has gone on holiday to the city with friends. However, the more information Sonia uncovers, the more confused she becomes as to her daughter's whereabouts.
Wake up! You are 24 now. How is it looking into the mirror? Who are you gonna be today? You have got so much work, but can’t stop thinking about sex? Are you just desperately trying to fit in? Does it make you depressed? Well…welcome to the life of the Pink – The Red – The Blue – the Turquoise and the Yellow one, heroines of 24, the movie.