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Compañera Inge

1982 /
150 Cubans are trained as skilled workers in a textile company in Upper Lusatia. "Compañera Inge" is responsible for the foreign workers and must prove itself as a "specialist for practical life management". For the South American temperament of the Cubans, their sociability and joie de vivre do not at all meet with undivided approval by their German colleagues despite the prescribed "brotherhood". A Clash of Cultures in the service of the revolution ... and in the pointing out of prejudices and problems a quiet shaking of taboos in the closed society, surprisingly shot for the GDR television and until 1989 the only film on this topic. - Grit Lemke

Der Kamm

1982 /
Once an argument has rocketed, the reason is hardly relevant anymore. Or why do these two men fight so hard for a comb? The first DEFA directorial work by Hans Moser and Thomas Rosié, who had previously been commissioned with special effects, is a parable of the arms race. Nadja Rademacher

Die Entdeckung

1982 /
After the fierce controversies surrounding his exceptional film "Einmart", the DEFA studio imposed on Lutz Dammbeck to make a children's film. A poem arose about longing and breaking out - the cinema success came about. But Dammbeck already lived out his deeper artistic aspirations beyond the studio. Nadja Rademacher

Die Handlung de...

1982 /
Original Title: The Commander's Action after Receiving a Task

Do pivnice

1982 /
In the basement a little girl is confronted with her fears. Because there not only the neighbours are up to their nastiness, but also the things. Franziska Bruckner

Fridolin, der S...

1982 /
Orgiastic comedy about a butterfly, beautiful dragonfly ladies and a love-hungry snail. For the performance artist Helge Leiberg, the exploration of the medium of film was a liberation from realism. He found the dream sequence the most technically exciting, as it was shot with a spray gun directly on glass under the camera. Nadja Rademacher

Laufbahn

1982 /
The graphic artist Gudrun Trendafilov drew and animated her film about a racing clumsy oaf as a young graduate of the Dresden University of Fine Arts without a team. The linear work with pencil and paper was for her a continuation of her artistic approach. Nadja Rademacher

Riportré

1982 /
A tableau of 40 people talking about everyday public and private topics. Their portraits were photographed and the outlines slightly distorted to ironize what they say and how they say it. The montage changes rapidly back and forth between the interviews and thus creates a kaleidoscope of the zeitgeist. Anna Ida Orosz

Ünnepeink

1982 /
Kindergarten and primary school children try to describe what Hungary's national holidays remind them of. While the children talk about what they learned at school about Lenin, Hitler or Sándor Petöfi, the revolutionary poets of the Hungarian War of Independence in 1848, the history of Hungary, Europe and the Soviet Union gradually mixes. Anna Ida Orosz